Tarek Al-Ghoussein. K Files

In Events and Exhibitions / September 25, 2014

Taymour Grahne Gallery has recently opened the new season with K Files, the first solo exhibition in New York by Palestinian-Kuwaiti artist Tarek Al-Ghoussein.

Al-Ghoussein was born in Kuwait to Palestinians parents in exile, and, like many from his generation, grew up unable to visit his parents’ native home. Dislocation and displacement have remained common themes throughout his artistic practice. Al-Ghoussein often presents his work in a serial manner, which results in complex narratives that explore the tension between longing for and belonging to a place.

Tarek Al-Ghoussein - K Files 831, 2013. Courtesy of Taymour Grahne Gallery, New York. All rights reserved.
Tarek Al-Ghoussein - K Files 831, 2013. Courtesy of Taymour Grahne Gallery, New York. All rights reserved.

Inspired by an invitation to represent Kuwait for its first national pavilion at the 2013 Venice Biennale, K Files employs two distinct approaches to consider the artist’s relationship with Kuwait. The self-portrait photographs on display in the upper gallery depict Al-Ghoussein’s exploration of the physical, cultural, intellectual, and collective spaces through interactions with iconic locations that are the physical manifestation of efforts to form a modern nation-state. Places like the man-made island where the British first drilled for offshore oil, the Kuwait Stock Exchange, and the Kuwait National Assembly building are transformed through performative interactions that are carefully composed.

The work on the lower level of the gallery results from Al-Ghoussein’s attempt to track his family history through documents that have entered the public realm. The process of collection and the subsequent display in a gallery setting demonstrates how personal memories are subject to commodification in the age of the internet and raises questions related to the boundaries between private and public.

On the occasion of the exhibition, the gallery celebrates the launch of the artist’s second monograph, Transfigurations, with essays by Reem Fadda, Kevin Mitchell, Venetia Porter, Madeline Yale Preston, Rana Sadik, and Wendy Watriss.

Tarek Al-Ghoussein - K Files 735, 2013. Courtesy of Taymour Grahne Gallery, New York. All rights reserved.
Tarek Al-Ghoussein - K Files 735, 2013. Courtesy of Taymour Grahne Gallery, New York. All rights reserved.

Tarek Al-Ghoussein has exhibited globally, notably as one of two representatives of Kuwait at the 55th Venice Biennale in 2013. His work can be seen in the public collections of the Arab Museum of Modern Art, Doha, Qatar; the Barjeel Art Foundation, Sharjah, UAE; the British Museum, London, UK; Darat Al Funun, Amman, Jordan; the Mori Art Museum, Tokyo, Japan; the Museum of Fine Arts, Houston, TX; the Royal Photography Museum, Copenhagen, Denmark; the Sharjah Art Foundation, Sharjah, UAE; the Solomon R. Guggenheim Museum, New York, NY; and the Victoria and Albert Museum, London, UK.

Tarek Al-Ghoussein - K Files 025, 2013. Courtesy of Taymour Grahne Gallery, New York. All rights reserved.
Tarek Al-Ghoussein - K Files 025, 2013. Courtesy of Taymour Grahne Gallery, New York. All rights reserved.

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